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Film Expression and Censorship in India: Intelligent, Informed Spectator standard (Part 5)

  Continued from Part 4 , read part 4 by clicking here . Any concerns with respect to the content of films after certification may be addressed using the well accepted contemporary social standards test.[12] In other words, a film's contents must be assessed based on today's social context, norms and standards. The test must therefore assess a film from the stand point of today's spectator, and not a spectator of the last century. Intelligent, Informed Spectator The contemporary spectator, whose disposition…

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Review Committee Reports, Benegal Committee report, Mudgal Committee report, Censorship Model (Part 4)

  Continued from Part 3 , read part 3 by clicking here .   Review Committee Reports The Benegal Committee and the Mudgal Committee constituted in 2016 and 2013 were tasked with the job of making recommendations for the process of film certification in India, Uniform, Non-Discriminatory and Non-Discretionary among others.[11] Though both the reports agree that the existing system of film certification is fraught with subjectivity, they diverge in their recommendations for making it objective. While the Mudgal Committee, in line with…

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Film Expression and Censorship in India: Film Certification Principles, CBFC Guidelines and Principles (Part 2)

Continued from Part 1, read part 1 by clicking here. Film Certification Principles The guidelines issued by the Central Government under the Act and the principles therein guide the CBFC in forming opinions and making decisions with respect to certification.[7]  The Guidelines expound the permissible restrictions under the constitution and the provisions of the Act. They broadly capture the principles based on which prior restraint may be imposed on films submitted for certification. Guidelines and Principles The…

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